And I know exactly
Where everything
Goes
Where everything doesn't
Go
Issue 57: here's an equivocator that could swear in both the scales against either scale
They fought
They fought like
They fought like cats and
Dogs
(As my mother said)
And now she is dead
And now he is dead
I really can imagine them
Fighting
Forever
Some ginormous ur
Fight
Kind of like
Normal,
Right?
I saw a lost dog this morning
Cantering uneasily, its head
Looking back and forward
Trying to scan where it had
Been towards where it was
Going, not recognizing either
Way
I was walking too but knew
Where I was going: down the
Block from my house for
Exercise and back again;
Down to the far corner
Where three roads meet at
Odd angles. There were no
Cars on the roads, and the
Dog stuck to the sidewalk
Still, I worried about him and
Turned to watch him jog
Down the block, and turned to
Follow
But the dog was faster than
me, and I wasn't about to break
Into a jog myself. I don't need
That kind of exercise hammering
My old knees and then he took
A corner turn at the big maple,
Gone from my view so I turned
Around and continued on to
Home.
I've told you about
Paul
My friend who died
Running across the
Street
He was in the right
By the way, the bus
Had clearly stopped
Flashing
Lights, a clear warning
The car sped through
Though, killing Paul,
Throwing him into the
Bus
Masked, looking forward
To a day full of fun and
Candy, he crossed mask
Down
And then Paul
Was dead just like
That
The bus driver was
Dean
When I was six
I couldn't tie my
Shoes
No one had taught
Me
See
But Paul showed me
How just loop this one
Over that one and then
Loop
Paul was killed on
Halloween
Struck by a
Neglectful
Driver
Dead at six
Wearing a
Mask
Imagine being a boy
But not quite a boy
That transition stage
Of adolensence when
You are not man but not
Boy
Imagine being a man
But not quite a man
That transition stage
Of adolensence when
You are not boy but not
Man
My brother, my sweet
Sweet brother once said
I don't see a man, when
I was that moment
Between
It sticks with you, those
Words
I've been thinking about this for a few
Hours
My sternum turned to bone
All of a sudden
I knew a cat
With a similar
Condition
Sternum protruding
From his furry
Chest
The vet said
It was noting to
Worry
About
But I worried
And I am
Worried
This is let me take a minute let me take a break
This is how we or do we take a break or can we
Are you sure we can or this is how we do or are
Are are are are are you are you are you are you
Over
Take a break
Rivers wash away
Carrying our shit
To who knows where
But who knows, knows
Where
There must have been
Some first human, bedecked
In naked who realized this
As he watched his shit
Float
This was supposed to be
Pretty. This was supposed
To make me think of green
And leafy things, so strong
Crisp
Snapping against our legs
As we break the grass before
Us working so hard to reach
The shore where we can
Shit
Scene opens on ROBOT running
Away, across a grey, meteor-pitted
Landscape
It is Ganymede, so there are flashes
Of green and blue and red in the grey
Ash
But mostly it is grey which makes it
Difficult to perceive ROBOT who is
Running
Away cross the screen, over the jagged
Pitted surface of a desolate moon of
Jupiter
The planet looms high in the black inky
Sky--washed out and pale since this was the
Fifities
But actually probably more accurate than
Our oversaturated present, with its wandering
Robots
Who are, technically, also running away
Without legs, of course, but with outlandish
Speed
ROBOT is running away from something
He may not even remember, since his memory
Banks
Are full of pain and suffering of some kind
Inflicted on him on Ganymede by those who
Love
But ultimately hate him. So he runs; he runs
And he is most assuredly crafted in metal to be
Male
He runs, this ROBOT with pencil thin legs
Radio head with yellow blinking light and
Antennae
And the scene fades as he runs, now a tiny
Glistering speck of metal against a vast, vast
Grey
It is 1975
A solo dog runs across
Scene
Panning back
The camera reveals
Wreckage
Two cars have
Collided, 70's
Cars
Big boxy beasts
With lots of plastic
Wood
And chrome, plastic
Chrome for miles and
Miles
Slumped over the
Wheel of one is Lucille
Ball
She was drunk, of course
Having just Tonight
Showed
In the day, because day
Filming and day
Drinking
And you would go to
A doctor and be offered
Scotch
The other driver is
Groucho escaping his
Abuser
70's TV comedy
Ensues with biopic
Pathos
For some reason
Main Character
Has to make a
Sudden escape
In a self-propelled
Parade float
Papier-mâché
Bursting into
Butterflies of
Wafting paper
(Replete with
Accent marks)
Careening this
Way and That
Tissue paper
Streaming like
Toilet paper
Caught on your
Heal
I hover over my new vacuum
Robot, not to monitor their duty
To the job, but out of sheer joy
And
Amazement. Yes, I am that kid
Still who sincerely believed that
A gift of walkie-talkies was the
Absolute best best best and I love
You forever, oh wow oh wow oh
I
The robot comes in a plain brown
Box, like porno mags used to be
Delivered. Uncle Ken had Playboy
Sent to his house and had a TransAm
Aunt Wanda loved him and loved that
TransAm
Now that's where it gets complicated
This salacious appeal to my boyish
Desires that were entirely sexual but
Had nothing to do with sex as anyone
Might define it. Desire. Desire? Is it
Understandable?
No, so I hover over this robot, watching
How they negotiate this wild mountain
Of rug, this leg of lamp, this chair that
Keeps moving because I keep moving
It
And I am in sheer ecstasy. Such a
Simple and wonderful thing. The
Code runs through my mind.
Decision trees play out in simple
Desire
Desire to clean, desire to map--desire
To know. I hover over my little round
Friend because I have to. That's me
Down there. Seeking the map. Seeking
The spots to suck up the detritus of a
Decade
That's me in the back there
The baby in his mother's arms
Her wild hair but her recognizable
Face
She is foisting me into the row of
Her children, Larry in front, so much
Like me, or I guess I am so much like
Him, but so not like me and so
Himself
Like me. He's objecting to something
And Michael the oldest brother so
Assured but so yeah, what do you say
And sweet Annette, there she is
In control, like she always needed to be
Sad
It is. Let's let that go, though let's be
The hovering infant your mother
Wants to foist in line with the rest
But yeah, it makes me wonder as
I look at the line of my siblings
To see the lines of cousins, like us
Lined
It makes me feel the sad loss of
Douglas, so big, so young, so him
Striped shirt and ready to become
Dead at 30 of a brain tumor with
A child
I don't know even half of these
People and the half I do know
I've lost, lost somewhere in the
Tensions of family. I'd like to
Though.
Ive been thinking a lot about life these days
But I probably live in that Romantic world where things Matter.
I can understand Faust when you hear a song like That. But the best song ever, you know that I think, Isn't.
When I was a kid
My brothers and cousins
And other neighborhood
Children
Would wander along the
Roadside between our
Well-spaced farm
Houses
To collect bottles thrown
From passing cars to cover
For a night of sinful
Living
These were liquor bottles
You see, and in my small
Mormon town, drinking was
Forbidden
To most, but by the time
We were done collecting
(When being a teen was a
Thing
And collecting discarded
Booze bottles no longer
Held fascination and petulance
Ruled)
We had hundreds and hundreds
Of bottles lining the walls of
One of my cousin's old farm
Shacks
I don't recall ever once thinking
How strange it was that we had
So many, even in our small dry
Town
And we certainly never thought
Of drinking any of the few sips
Left sloshing against the thick
Glass
Occasionally, though, we unscrewed
The caps and sniffed the sweetness
Liquor wafted through the small
Shack
I've been reading Kazantzakis's The Last Temptation of Christ and was struck right from the start how well it could be adapted into a one season television series (unless, of course, the producers would want to carry on with the second coming in season two--which might be a hoot.) Each chapter could be a complete episode, and would rely on the iconographic feel that the imagery in the book has. I mean Greek iconography--the icons that the iconoclast worked so hard to destroy (but in the long run failed to.) The visual design of the piece would be magnificently surreal, like those icons. I can see lots of flat lines of disciplines lined up in rows, warmed in golden light. Perhaps the irony would be that they would be dressed as "ragamuffins" as the translator so gleefully used the word, rather than all kitted up like Byzantine aristocracy. Jesus's baptism strikes one as a perfect set piece from the book, with its Roshomonesque quality of no one quite certain what actually happened (nor hearing what the bird said). I can see it playing out in several different versions on screen--one magnificent and trascendant--one gritty and realist--and one, perhaps, surreal. No doubt it is a book that probably shouldn't be made into any thing else but the book it is, though.
When I was a kid the only clothes I
Recall my mother wearing were made of
Polyester
(Polyester fabric is concocted
From the tears of dinosaurs, oil rich
And strong with fibrous fear learned hard in the
swamps)
"These pants would survive a nuclear war,"
She declared as she pulled them fast and
Taught over her hips, pulling the elastic wide
And letting go of the band with a pleasing
Snap
And nuclear war was a possible thing back then,
You see. While we may not have dived under
Desks at the first sound of a siren, we all knew
That the possibility was there that we could wake
Up dead, or worse, and that there would be no more
Saturdays
We watched it on the jittery rolling lines of TV
Saw the flash saw the bones saw the flesh melt
Away because of a disagreement about how the
Economy was supposed to run and how poor people
Were supposed to be poor in each, which rules
They were to obey and which leaders they should
Adhere
(Karl Marx, by the way, dreamed of living in a
Hut, where, when approached, he would dole
Out life advice to the poor sots who were just
Looking for directions to the nearest Chevron
But he'd go on, and on, and the visitors kept
Inching further back from his threshold in
Silence
Only to run--finally escape and end up at Charles
Darwin's hut, replete with desiccated samples of
This and that bug, and this and that plant and this
And that life. Darwin had nothing to say, other
Than "Live with it." And inching back inching
Away, Darwin takes and interest and thrust a bug
In her face
"That's it!" the visitor declares, shoving her hands
Deep into non-existent polyester pockets to find
Nothing but fibrous rage. Turning sharp, she next
Finds the hut of Adam Smith, who is too busy counting
Gold to even answer the rasping knock of flesh on
Palm fronds
"Get to work," is the only thing he says)
But I digress
When my grandfather visited
(a rare occasion since he lived
so far away across mountains
of crumbling red sandstone and
vast valleys of sea green sage)
He would be up at dawn
Every morning to rake the yard
Of sticks and leaves and paper
Blown in by the wind
He grasped the rake firmly with
His one good hand, using his
Frozen arm to counterbalance
Later, not long after he passed
While looking at books on
Japanese dry gardens, I made
The connection. Who am I to
Know whether or not he had
Made it too while the rake
Scratched pattern and form,
Order and purpose on the clay
Back and forth. Back and forth
Taking away that which doesn't
Belong
I have no idea how many
Songs
Are on this old iMac
(a fine machine that runs
Fine)
But in reverse
Alpha
beti
cal
Order
They start with numbers
Starting with 9999 (Ways to Hate Us)
by
the
Clutters
Your are soon rolling through the decades
2002 (a lost love letter to a lost)
Love
And suddenly you are walking 2000 miles,
Pretending,
Remembering the snow falling down
And maybe missing
But not missing and no children
Singing
And then you are in the heart of 1999 and all the regrets
Riff you
Though when you first hear that song
It was long before anything burst
Anything popped
Anything slumped
Long before
Any hint of that loss
(of all all time)
And then 1979 and you feel young and it is summer and it is
1995 and you are in
Love
When you are seven
It is to be expected
But at fifty-six it is
Concerning
But these days most
Have wisdom removed
While young
I always had a big
Mouth and even the
Dentist was amazed
That they had come in
Early
So strong, at the back
Waiting to have a full
Life
When your are young
You expect it but now
Now? Tooth loosening
And then it is in your
Hand
Fingertips edging the
Points, wondering how
The curved legs fit
In the sudden, hole
Unbleeding
And you remember
When you were seven
And your brothers
Had the brilliant idea
To yank your bicuspid
Out with a string
As a sudden surprise
You are surprised
So many centers
So many lights
Where do you think you are?
Where do you think you should be?
We used to unfold maps
Crease by crease
And there we were
At the heart
Of the Continent
Folding them back
Was impossible
Never right
Always crumpled and scrunched
The Heart of the Continent
Never back where it should be
Where you should be
Where you think you should be
So many centers so many lights
So many dots
So so many lines
Heart of the Continent
There are a lot of different options being considered
No, that doesn't have
I will stand my ground no matter what
I am more hopeful than worried
There are solutions that we don't even know they exist
Maxine Kumin died
She of the plane with her mother holding a package
Died
Dies
Died
Simple letter
She dies and it is still this year
It is still this shit
It is still this same
A package, you hold as the plane dives
And suddenly
Suddenly
Survies